2011 debut from the brooklyn-based band. rapprocher sees front person elizabeth harper pushing the songs into new directions. harper remains the force that binds the songs into a cohesive statement, her winking coo darting about in the deep drums and lofty arpeggios, and her passion backed mostly with electronics summons thoughts of yazs alison moyet. in concurrence with the title (-rapprocher- is french for -bring closer-), the candid, sincere lyrics meld with the atmosphere, enveloping the listener into class actresss world of 21st century romanticism.

triphop / headz

punk

first physical re-issues since the original single release in 1975

supported by derrick mckenzie, walla p (voyage funktastique), soul clap

class compliance aka manuel tur & adrian hoffmann

jazz, soul, latin, hip hop

colorado based dvs nme debuts on tiger weeds with a solo ep, delivering his signature sound with four straightforward electro cuts. limited edition of 300 copies on 10 inch vinyl.

incl jay tripwire remix. tip!

full lenght album

third juicer is inbound!

here is class of 2021 part 2!

playful 90s inspired techhouse tracks.

succeeding the two first release, eupasia returns with another work carving the label s distinct sound excursions. half techno and half electro infused, with a hint of minimal, tooth and nail sets the tone of the newest alias worm class by andré leiria. a 4-track ep ready to be thrown straight into the darker rooms, padding them with heavy basslines and bright, sleek drums., 1 per customer

debut album of morgan wright

2021 reissue , of this 1994 classic

tribe recordings drops its third superb release. this time their own team member d.a.b is delivering 4 bombs, ready to smash any dancefloor. essential!

j. daw invites you to a first class flight.

2020 repress / reissue, magic disco classic incl larry levan rmx

2005 techno / house classic from oliver hacke.

vinyl only

new hypnotic and spaced out knotweed by lee holman

black repress ! classic disco anthem, with brass stabs, slap bass and an uplifting guitar riff driving things forward, before dorsi plantar closes things out with a blissful boogie simmerdown perfect for any sunrise set

camisole records heißt sie an bord der business class library-zusammenstellung willkommen. während ihres fluges hören sie musik von serge bulot, alan shearer, gérard gésina und pascal wathelet. alle diese elektronischen titel aus den 80ern wurden von ihrem kapitän silver fox kuratiert, um ihnen eine angenehme reise zu ermöglichen. nice electronic journey , file under ambient / synth-pop

nice electronic journey , file under ambient / synth-pop

ltd 7 inch reisue release, with two disco classic ... not to be missed

„working class woman“, das anfang oktober auf ninja tune erscheint, ist die vierte und selbstreflexivste platte der in montreal lebenden produzentin marie davidson. der sound von „working class woman“ ist direkter als jede ihrer bisherigen veröffentlichungen. die einflüsse sind immer noch die gleichen, von italo disco über electro bis hin zu proto-industrial, allerdings führt sie durch das album mit der schwere eines heftigen schlags in die magengrube, was das album zu einer platte macht, die intuitiver ist als alles andere, was sie bisher veröffentlicht hat. die vinyl-lp erscheint inklusive downloadcode.

garage bands suddenly obtain cult status and become the antithesis of their initial appeal’ garage class were a group of reluctant outliers who produced one of the finest contributions to the wave of uk diy music that emerged during the late 70s and early to mid-80s. hailing from alsager in north west england and comprised of tim shutt (vocals) phil murphy (lead guitar) clive williams (guitar) lynne sanders (bass) and phil bourne (drums / bass on studio recordings) garage class originally went by the name of the pits before their then manager steve hurt imposed an alias which, though unpopular within their ranks, would nevertheless reflect the shambolic art they would eventually capture on their first and only single.

scion of the urals this devotee called gedevaan drops a notable classy non-moscow sound. the city where music can be fake, where anyone can lie to you, where anything can be sold and re-sold for a higher price. where constantly you suffer from major vanity and notorious capital speedy manner. moving to that town may change you with no warning. “class compliant” is more about authentic slow-burning undercurrents. smells like rest of russia the noise is out of massive roaring cities and their pre-harsh dummy lives. inclined to withdrawn and introspective synthesis gedevaan offers an original dim-light feel, warm-wet, woody swamps and mossy rocks. a velvet haze makes your vision blurry. just look! is it a baba yaga’s hut? track the music. to don’t forget about your roots. it’s pretty nice to accomplish with old stuff by perc and a brand new one of electric rescue - the pure primal perception with a high impact factor.

washington based better listen records drop their first va ep. housing four disco influenced dancefloor workouts bringing a slice of sunshine to our shores. folamour kicks things off with an uptempo disco stomper, complete with driving bass, infectious string hooks and energetic piano stabs. the a2 sees ethyene slows things down combining choice vocal snippets, shuffling rhythms and sleezy synthwork to create a sunset groove ready made for the summer. on the flip ari bald draws on all the elements from a classic disco anthem, with brass stabs, slap bass and an uplifting guitar riff driving things forward, before dorsi plantar closes things out with a blissful boogie simmerdown perfect for any sunrise set.

four strong, deep vibin disco cuts from the moonrise hill records founder ethyene ! stradling the line between deep house and disco these jams will warm you up this winter season

rrwd is a label collaboration between ta-ku/ repeat pattern & jakarta records. charlie abbott is a 25 year old from boston, ma.living in aomori, japan who teaches high school english. i made goes to math class, over the course of about one year (from fall 2015 fall 2016ish). as for influences, i d say i was trying to go for the dirt of early quasimoto mixed with the melody of emerald fantasy tracks era lone, but i m having trouble describing it in terms of larger generic genre terms.i feel like it has a beat tape structure, and is definitely rooted in hip hop//dance music, but isn t really danceable or meant for the club.i d probably describe it as headphone music?

after releasing on bass drop networks, atmosfear , loop, sub / version in the early 90s, and more recently on mego, staalplaat, crónica and praxis, pure is returning in to the techno scene with a 5 tracks ep. the tracks were recorded in 1995 no joke at all… pure analog, acid, authentic, live recorded underground devil hardcore/techno.

a deep house classic